I read about this book in a Newspaper and the way in which it was described drew me in. I recall, it was said to be a book about exploring the differences in culture between the Nigerian protagonist and those she comes into contact with within her Western environment. I bought the book with an expectation of something Americanh-ish. I think part of my problem is that I have been spoilt by Chimananda, and now expect all African writers to sound like her.
Well, Atta does not sound anything like Adichie, and that in and of itself is not a criticism of Atta. I’ll start with some positives. I like that the main character’s name is not introduced until she is addressed by another character and we learn her name is Deola. Up until that point she is only referred to as “she”.
Deola is in her late 30s, single. This information is provided to the reader, but other aspects of her character, who she really is, remained somewhat of a mystery. She works for an international charity in London, but visits “home” which is Lagos for her late father’s memorial. Some of her thoughts and dilemmas seem more typically associated with an adolescent. I can understand this is some way, because in some West African culture, a woman has not truly become a woman until she is married with children. Yet I found it hard to connect her thoughts and feeling to that of a woman of her age and stage in life. Deola clearly has dissatisfaction with her life in London, but the reason for this is not made entirely clear.
What is clear is Deola’s love hate relationship with religion, and Christianity in particular. Now this touched a nerve with me because of the sweeping generalisations made about the Faith. Again though, I have understanding as to why “African Christianity” is criticised because I know from experience how distorted it is from the Christianity of the bible. Religion is certainly a theme in this novel, but I was not expecting it to be tackled in a way that could be seen scornful and disrespectful.
In terms of some of the other themes explored, I found myself asking at one point, is this a book about HIV and Aids? A bit like the MTV series “Shuga” based in Nigeria, (where almost every character either had HIV, or was about to catch it), was the thinking that, seeing as this is going to have a mostly African audience, I’d better do my best to educate them about the importance of being tested for HIV, seeing as most Africans are dying of Aids?
Perhaps not the biggest let down, another thing I found disappointing was that I could in no way relate to Deola and her privileged background. I had waited to find a novel that was based between Nigeria and London, and having finally found it, I couldn’t connect with Deola as I shared very few of her experiences. I did not go to an expensive fee paying boarding school and I do not have any friends who were educated at Harrow, for a start.
Fatally, the book included too many scenes that did not move the story forward, and an ending that leaves the reader hanging. Not hanging from a cliff as such, as that would suggest an exciting ending. More like hanging from a set of monkey bars. I kept returning to the blurb to remind myself of what the story was supposed to be about. A love story? Deola’s love interest, hotel owner Wale, does not feature enough for it to be described as a love story.
With no lucid understanding of where the story is going, what is driving the main character, and what message the writer is trying to give, a Bit of Difference, was a bit of a flop for me.